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Entries in social media (8)

Thursday
Dec152011

Making Facebook your Friend

When it comes to social media, we are being pulled in divergent directions - an effort to reclaim some semblance of privacy and friends you would actually recognize if you we're sitting next to them on the bus vs. the social-media marketed need to be connected to more and more people. From a personal standpoint, I have to say that I know more about people I barely know than I do about some of my oldest friends. Some pullback would not be a bad idea. To businesses - particularly small businesses that are not marketing companies - my message is different. Get in the game.

Click to read more ...

Wednesday
Jun222011

Logo design: Getting what you pay for

Great. You decided to get your company's logo professionally designed. So how do you know you've gotten what you are paying for, what should you expect?


There are as many definitions of "design" and "designer" as there are people pondering the concept. Design - as in all art - is in the eye of the beholder. One definition that many might agree on is that graphic design is a creative process undertaken to convey a message to a specific audience. That definition is a good one because it conveys that design is collaborative and it is a process. 

So the first thing you should expect from your designer is some method of sharing and discussing your company, your products, your philosophy, your persona and your likes and dislikes on things as basic as color and type style. This may take the form of a conversation or two, some written questions provided as a way to promote new lines of thinking. If you own Compass Services, it might seem like a "no-brainer" to make some compass illustration your logo. But an experienced designer will dig deeper with you and you may end up somewhere that wasn't on your horizon when you started out.

Once the designer has more information, they have to translate that into ideas. Ideas are rough - often unformed. Because people tend to get caught up on color and typeface, these first passes may be nothing more than conceptual pencil sketches. Any good designer should give you some choices. Walk away from any designer who can only give you one "choice" and is looking for a quick approval. 

Once you've settled on a concept, the designer will refine the design. This is fairly important as it involves deciding on a color palette. This color palette should impact every other area of your public persona - website, brochures, business cards, trucks, etc - so it's important. Imagine if Coca-Cola founder John Pemberton had said, "You know, I really don't like the red." Ideas about appropriate colors should already be forming - from your design concept discussions, from your business, from your products. But if nothing trips your trigger on the first pass, most designers will create more choices. 

This is where we get into the issue of deliverables. Once all is said and done, what should you get an how do you use it? 

  • Your designer should provide a logo in several different formats that you can use in different types of applications. At minimum you must get a vector file (.eps). This file is not an image but a data file and can be scaled up to a billboard or down to an icon without losing any detail. It is the .eps file that you will need for any high-quality printing, for clothing, for printing premium items like mugs or clothing. Printers may  tell you that they can take your .jpg (j-peg) file, which is really a static image of your logo, but they will then charge you a design or set up fee to basically turn your .jpg into their interpretation of your logo as a .eps file. Since they don't know your fonts or color palette, this may be inconsistent with your approved logo. You can get a feeling for the difference between a jpg and eps file by putting any jpg image into a word processing document. Now select the image and drag it until it fills the page. You will see it lose quality.
  • There are many areas where you can get away with a .jpg (such as online uses including digital stationary, email, and websites). If you want to have color backgrounds, you'll need a transparent logo in a .png format. This should be SOP for any designer.
  • Color palette. At minimum, you ought to know what colors are actually used in your logo and what typeface and styles are in use. A more detailed "branding book" or "identity guide" may be an option with your designer and may be worth having. But there are many times that know what your actual colors are and what ink settings are required to reproduce them can be very important. 
So, how much does all this cost? That is going to vary widely. But most designers will have a pricing level with minimal changes and, at the higher end, a level that includes unlimited changes. Make sure you honestly assess if you are a tweaker or not. Be honest; deceiving yourself can be costly when your designer starts piling on extra charges. 
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NEXT: Icons and favicons, oh my! Deconstructing the language of design.

Friday
Sep032010

An iPad app to flip over

By Laura Haight

If you've every labored through lengthy lists of Twitter and Facebook posts looking for nuggets of interesting information. Or waded through retweeted link after retweeted link without ever clicking through. Then Flipboard is the app you may have been waiting for.


It's easy to say Flipboard is an aggregator of content, but it is so much more. Flipboard turns the often dry, 140-character post, links and retweets into a magazine style format.



Flipboard starts with 9 content channels on its main page - Facebook can be one, Twitter another - and there are a number of pre-packaged subject-matter channels (like tech or media) as well as individual publications like Slate, Fast Company or USA Today.

For posted links, Flipboard displays the actual headline, artwork and some content. The poster is listed in a byline-like format. If you want to view the entire post, you can expand it to see the entire web page but within the Flipboard app. Although the app could be improved by enabling posting to Twitter from Facebook and vice versa, right now it enables you to retweet or repost to the same channel from the app. You can also add comments or view existing comments, without every leaving the app or the screen its on.

Posts are displayed chronologically and, at least so far, I haven't seen anything from Farmville or Mafia Wars so I think it skips the Facebook game posts.

In the five days I've had this app, I have found some real gems in the links that pour over the transom each day. Many of these, I know I would never have gone to look at from the normal Twitter/Facebook interface.

Flipboard is free and, unfortunately, right now is only on the iPad.
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I recently did a presentation for a local business group on getting started with social media for small businesses. Are you using Twitter, Facebook, LinkedIn and other tools for your business? What tools do you use to aggregate the information? If you're an expert you can definitely help others; if you are not, Portfolio may be able to help you. Let's start the conversation.